You’ve probably seen the headlines. They’re pretty hard to miss. After all, when two of mainstream media’s favorite buzzwords – “violent videogames” and “terrorism” – cross streams, things get messy. If you’ve somehow managed to position yourself smack in the eye of the media storm, however, here’s the story: Last week, someone leaked a scene from Modern Warfare 2 in which you, the player, take up arms and gun down some people. As a terrorist. And those people? Innocent civilians who just happen to be in the wrong place at the wrong time.

And I’m perfectly ok with that. Why? We’ll get to that in a bit.

What I do take issue with, though, is Infinity Ward’s treatment of the whole fiasco. Moments after every videogame blog on the planet’s normal programming was interrupted to bring you this special report, Infinity Ward issued a statement. “Players have the option of skipping over the scene,” it read. “At the beginning of the game, there are two ‘checkpoints’ where the player is advised that some people may find an upcoming segment disturbing. These checkpoints can’t be disabled.”

Which is PR-speak for: “We’re afraid that the mainstream media’s going to tear us to shreds for this one, but we’ve handily built in this failsafe. You’ll never take us alive! Mwahahahaha! *Rockets into the sky using a concealed jetpack*.”

See, while stirring terrorists, innocent slaughter, and videogames into the same stew may initially leave a bad taste in people’s mouths, I think Infinity Ward’s taking a big step in the right direction. It’s a shame, then, that they’re so quickly scrambling to cover their tracks.

Here's why I'm ok with the scene. Quite contrary to what many vocal critics are saying, the scene in question isn’t intended to glorify terrorism. Not even a bit. As your character sprays gunfire into the airport’s mortified masses, people scream and cry. There’s no swelling soundtrack, slow-mo, or utterances of “Boom, baby! Headshot!” from your comrades in arms. Just the terrified, regretful, grief-stricken emotions of a bunch of normal people spilling over and quickly drowning amongst a sea of blood and tears.

If causing this kind of massacre puts a smile on your face, it sure as hell isn’t because Modern Warfare 2 told you that terrorism is totally rad. It’s because you’re one seriously f***ed up individual.

Clearly, Modern Warfare 2’s killing spree is meant to make you feel like the scummiest sack of crap ever to stink up the earth. After it’s all said and done, you’ll probably be sick to your stomach. And that’s great! See, while games like Grand Theft Auto allow players to literally terrorize innocent civilians, it’s all just meaningless violence. After just one tiny cognitive leap, your brain’s performed the necessary mental gymnastics to avoid feeling guilty about any of it. In fact, many players even consider these “rampages” to be the most enjoyable aspect of the series.

 

Modern Warfare 2, meanwhile, contextualizes its slaughter. Terrorism is one thing, but set against the backdrop of an airport, it creates an incredibly provocative image. So, in Grand Theft Auto, you killed some poor, unassuming sap at a place. Big whoop. But in Modern Warfare 2, you know exactly where you are, who you’re slaughtering, and why you’re doing it. Here, you’re forced – as a result of the societal connotations this scene evokes – to question your own heinous actions. Other games put a gun in your virtual mitts and tell you to run wild. And as you skip through eerily realistic worlds, splattering brains and racking up near-genocidal body counts, you probably don’t even bat an eyelash. In games, ending lives is like breathing. You just do it.

 

By turning that traditional good guy vs. bad guy shooter scenario on its head, Modern Warfare 2 forces us to reconsider our stance on virtual violence. As a result, shooting people in a videogame actually means something again. It’s not just violence for violence’s sake. Instead, it’s a powerful new spin on our main method of interacting with videogame worlds.  I, for one, think that’s pretty cool.         

And that leads to why I’m not too keen on Infinity Ward’s decision to sweep the airport scene under the rug as soon as media outlets came a-knockin’. See, for storytelling in games, this is a big, big deal. It’s using one gaming’s biggest strengths (highly immersive shooting) to ignite all manner of powerful emotions within players. And it’s doing it in a way only videogames can – through interactivity. Honestly, when people start hooting and hollering about the “Citizen Kane of videogames,” this is the kind of thing I think of.

To me, this is proof positive that videogames can make unique statements with real world implications. A landmark moment like this, then, should be encouraged and promoted. But instead, Infinity Ward’s tossed this integral scene behind a giant blurred out veil, effectively roping it off from the rest of the game. It’s as though they’re saying, “Ok, we’re going to make an actual statement about war, terrorism, and your actions as a gamer now. But let’s just keep this on the down-low, all right?” Would an R-rated movie skip over its most pivotal moment just because it might make viewers feel uncomfortable? Of course not! Yet for some reason, this M-rated game can’t even look players in the eye when it’s making a statement.

Among other things, this is why modern war games see you clomping into Unspecifiedistan and bringing America-flavored justice to Osama Bin De-Clawed. Because the second videogames set foot into realistic, meaningful situations, developers and publishers start getting self-conscious. Remember Six Days in Fallujah, that non-fictional shooter that raised a stir a few months back? Publishers won’t touch it. Can you guess why? Say it with me now: “Controversy!” Until a major developer or publisher takes a stand against this play-it-safe mentality, mainstream media, other developers and publishers, and even gamers will treat videogames like gutter garbage when it comes to handling real world situations.

And that – sad to say – is lose-lose situation for all involved.  

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